The Terrorizers (Chinese: 恐怖分子; pinyin: Kǒngbù fènzǐ) is a 1986 film by Taiwanese filmmaker Edward Yang.
The Terrorizers is a part of the New Taiwan Cinema. The film concerns the coincidental interactions between three groups of people in Taipei: a young woman and the tough petty criminal gang of native Taiwanese she hangs out with; a Mainlander doctor and his novelist wife; and a young photographer who observes the life of the city unfolding around him, in an echo of the protagonist of Michelangelo Antonioni's Blowup. "Famously characterized by Marxist scholar Fredric Jameson as the postmodern film, the film was likened by Yang himself to a puzzle where the pleasure lies in rearranging a multitude of relationships between characters, spaces, and genres."
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