Le Havre is a 2011 comedy-drama film written and directed by Aki Kaurismäki, starring André Wilms, Kati Outinen, Jean-Pierre Darroussin and Blondin Miguel. It tells the story of a shoeshiner who tries to save an immigrant child in the French port city Le Havre. The film was produced by Kaurismäki's Finnish company Sputnik with international co-producers in France and Germany. It is Kaurismäki's second French-language film, after La Vie de Bohème from 1992.
The film premiered in competition at the 2011 Cannes Film Festival, where it received the FIPRESCI Prize. Kaurismäki envisions it as the first installment in a trilogy about life in port cities. His ambition is to make follow-ups set in Spain and Germany, shot in the local languages.
Marcel Marx, a former bohemian and struggling author, has given up his literary ambitions and relocated to the port city Le Havre. He leads a simple life based around his wife Arletty, his favourite bar and his not too profitable profession as a shoeshiner. As Arletty suddenly becomes seriously ill, Marcel's path crosses with an underage illegal immigrant from Africa. Marcel and friendly neighbors and other townspeople help to hide him from the
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Le Havre is a 2011 comedy/drama film written and directed by Aki Kaurismäki.
"Marcel Marx, a former author and a well-known Bohemian, has retreated into a voluntary exile in the port city of Le Havre, where he feels he has reached a closer rapport with the people serving them in the occupation of the honourable, but not too profitable, of a shoe-shiner. He has buried his dreams of a literary breakthrough and lives happily within the triangle of his favourite bar, his work, and his wife Arletty, when fate suddenly throws in his path an underage immigrant refugee from the darkest Africa.
As Arletty at the same time gets seriously ill and is bedridden, Marcel once more has to rise against the cold wall of human indifference with his only weapon of innate optimism and the unwavering solidarity of the people of his quartier, but against him stands the whole blind machinery of the Western constitutionally governed state, this time represented by the dragnet of the police, moment by moment drawing closer around the refugee boy.
It's time for Marcel to polish his shoes and reveal his teeth."
Quoting the synopsis from the 2011 Cannes Film Festival site.