Tomas Milian

Gender: Male
Born: 3rd March 1932 (currently 80 years old)
Nationality: Cuba, United States of America
TV programs: Frannie's Turn, Frannie's Turn
Movies: The Big Gundown, The Lost City, Faccia a faccia, Four of the Apocalypse, Syndicate Sadists, Don't Torture a Duckling, Compañeros, Money, Il bell'Antonio, Traffic, Identification of a Woman, King David, Washington Heights, Emergency Squad, Django, Kill...If You Live, Shoot!, La Banda J.S.: Cronaca criminale del Far West, Almost Human, I cannibali, Le soldatesse, Disorder, Havana, Drug Wars: The Camarena Story, Winter Kills, La Luna, Run, Man, Run!, For Love or Country: The Arturo Sandoval Story, The Cop in Blue Jeans, Ripped Off, The Agony and the Ecstasy, The Yards, Cat Chaser, Revenge, Bandits in Milan, Squadra antitruffa, Fools Rush In, , Amistad, Rome Armed to the Teeth, Fugly!, The White, the Yellow, and the Black, Tepepa, Django Kill, The Cynic, the Rat and the Fist, Free Hand for a Tough Cop, Brothers Till We Die, Viva Cangaceiro

Tomás Milián (born March 3, 1932) is a Cuban-American actor best known for having worked extensively in Italian films from the late 1950s to the 1980s.

Tomás Milián was born in Havana as Tomás Quintín Rodríguez, the son of a Cuban general. His father was arrested and jailed after Fulgencio Batista took power in Cuba : he later committed suicide. Milián then decided to leave Cuba and pursue his wishes of being an actor. He settled in the United States to study at New York's Actor's Studio and later became an American citizen.

After starting a career in the United States, he went to Italy in 1958 to take part to a theater festival in Spoleto. He eventually decided to relocate to Italy, where he lived for over 25 years, gradually becoming a very successful performer. His first film part in Italy was in the 1959 picture La Notte brava. Although his voice was dubbed most of the time due to his accent, Milián performed his lines in Italian (or in English, depending on the film). He initially starred in arthouse movies and worked with directors such as Mauro Bolognini and Luchino Visconti.

After five years of making what he deemed "intellectual" movies, Milián was unhappy with his

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Internet Movie Database